2026
Why Do I Keep Walking in Circles?
These three upcoming exhibitions unfold as a three-part series through which Conditional Home can be read. Structured around my daily route—from fountain, to playground, to home—each exhibition explores a different condition of dwelling: maintenance, adaptation, and return. Together, they extend the work beyond the domestic interior into the urban landscape, where home is understood not as a fixed destination, but as a temporary and continuously negotiated condition.
Walking in circles becomes both a method and a metaphor: returning repeatedly to familiar structures while revealing how contemporary life shapes the ways we inhabit, support, and construct home.
I’m deeply grateful to the curators for selecting these works and for creating the opportunity to share this evolving inquiry with different audiences.
Exhibition 1: CACHE: Existing in the Threshold
Curated by @junhaenglee with @cut.the.stem
Exhibition 2: This Place Was Once a Playing Field
Curated by @sept.curatorial
Exhibition 3: RCA Grad Show 2026
@rca_mfa_ah
selected exhibitions
Exhibition Documentation: 43rd Center Annual Exhibition
June 4-August 16, 2026
Address: 1441 West Alabama St, Houston, Texas 77006
Through photography, Lit extends her work into a new context, rethinking performative and wearable sculpture as image-based encounters. Rather than serving as documentation, the photographic frame becomes a space of translation, where action, tension, and gesture are condensed and rearticulated. The five selected images, drawn from her performative and wearable sculptures, communicate a shared visual language of control and resistance. Actions such as touch, breath, and repetitive labour—central to her sculptural practice—remain visible as traces within the image, holding a sense of duration within stillness. Informed by her background in scenography and garment-making, she approaches composition with sensitivity to surface, reflection, and the relationship between body and material. Through this shift, photography becomes a means to carry her work across contexts, extending its reach while preserving its embodied and conceptual intensity.
Source: Houston Center Photography
Exhibition Documentation:
the poetics of materials
18-23 March,2026
Address: Hong Kong Visual Arts Centre
5/F, 7 Kennedy Rd, Mid-Levels, Hong Kong
Supported by Hong Kong Arts Development Council
The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council.
The exhibition presents works across a wide range of material traditions, including medieval tempera painting, pith painting, glass art, so material sculpture, paper art, Chinese ink-making techniques, and traditional Chinese painting and mounting.
Exhibition Documentation:
From Elsewhere
18-23 March,2026
Address: Elaine Thomas Library,
University for the Creative Arts, London
Opening: 9 March - 9 April, 2026
From Elsewhere brings together stories from different parts of the world that, despite their geographical distance, resonate through shared conditions, experiences, and concerns.
Rather than anchoring these works to fixed locations, the exhibition allows them to meet across space, bridging distances and disrupting singular or stable narratives of place.
Presented in printed form, the works reflect on print media as both an archival and distributive medium. In a time marked by displacement, restricted movement, and a heightened reliance on screens, print becomes a way of holding, pausing, and materializing stories that are often only encountered digitally. The exhibition responds directly to this political and cultural moment, where many lived realities are mediated, fragmented, and consumed from afar.
From Elsewhere considers how the archival nature of print can speak to diasporic practices-preserving traces of places, memories, and encounters while remaining portable and unsettled. In doing so, the exhibition foregrounds circulation over arrival, connection over origin, and proximity over distance.
Curated by: Ahmed Umer
Curatorial Assistance: Maddox Pratt & Varshini Chandrashekhar
Table-scape: The shores and Islets
Address：牧羊少年與他的浮萍 Lemna
香港尖沙咀梳士巴利道10號KL香港文化中心 G/F RESTAURANT
April - the sea has not yet drifted far, and the islands are still in motion.
Laichankee presents a dining experience inspired by "Sea and Islands" at Lemna - a slow approach to shore, where time unfolds gently between taste and vessel.
On the table, objects become landscapes.
The installation by A Hong Kong artist based in the United Kingdom, Lit.breathes quietly in the space; reflective fabric catches and releases light like fragments scattered across the sea's surface, shimmering with ever-shifting ripples.
Ceramic works by Taiwanese artist Yufang and Hong Kong ceramicists Amie, Hauyi, and Gloria rest like stones along the edge of an island, holding the warmth of touch and traces of the sea.
As each dish arrives, scent and sound begin to unfold — images of Iceland stretch quietly behind you, while music of sea and islands drifts through the air, softening everything into a distant, gentle horizon.
This is not only a dinner, but a moment of seeing, tasting, and dwelling.
We meet in April — let the senses move with the tide.
JCCAC’s 15th Anniversary Exhibition
JCCAC十五週年展覽
簡潔鏗鏘的一聲「我在！」以打招呼的形式為展覽揭開序幕，宛如一眾藝術家藉著作品宣告自己的存在。集合衆多呐喊，聚首一堂以作品會友，與眾分享藝術收成。
