Sewing patterns, which transform 3D objects into a series of lines and curves on template paper, are commonly seen in garment manufacturing. Patterns not only interpret the garment components, but also facilitate modifying, tailoring and mass production. 
Skipping the process of pattern making, I use my own ways to create “Still Life” series. The process is similar to the production in garment manufacturing, except for its purpose of mass production. The audience can take away the sewing patterns and join my non-manufacturing mass production to enjoy the experimental creation.

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紙樣，指把立體轉化為平面畫在紙張上做出的模型，常見於服裝製造業。
紙樣的存在除了記錄服裝結構，更為了方便修改，剪裁和大量生產。

直接跳過繪製紙樣，運用自己的解構方法與程序去製作靜物系列。
過程跟製衣工業生產相似，但與其大量生產之理念不一。
觀眾可以取走紙樣，參與我的非工廠形式的大量生產創作實驗。