In dialogue with Absalon (Meir Eshel)’s Cellules, this table-and-chair structure for a single user examines domestic space under conditions of precarity, where care, solitude, and bodily resilience are reconfigured. While Absalon’s cells articulate a form of voluntary, body-scaled autonomy, the spatial compression here is structurally imposed, reflecting provisional modes of living shaped by rental arrangements and deferred ownership. The fragmentary table allocates only a limited zone of use, leaving the remaining surface visible yet inaccessible, thereby blurring the boundary between access and restriction. The work materialises solitude and marginality, reducing inhabitation to acts of use while positioning “home” as contingent and unstable rather than secure.